JLG’s most playful film ever, made on the wave of the previously released Breathless, at a time when, as someone put it, he was both in lust after Anna Karina, his fresh wife and the “power” of cinema.

The film is filled with formal gags, music goes on and off at odd times keeping you alert at all times, colour matches between props and characters abound, characters are constantly changing their mood and direction, borrowing a lot from absurd theatre, but in a joyous almost silly way.

Still feels fresh as fuck after more than 50 years!