My rush reaction on today’s Call Me by Your Name, highly praised worldwide, has to do with the peculiar language of this film. The content is far from being the most provocative thing at work here, but the crazy form that constructs everything from the tiniest beat to whole scenes. The way this director understands to move his story forward is on the brink of experimentalism. It brings an unseen before freshness. Think only of the way it uses the piano themes, switching them on and off during one long take. Mr. Guadagnino is a game changer and I can’t wait for his next film. Io sono l’amore will be 10 next year.